One night on a deserted street, Pierre (Olivier Martin of Rollin's LA VIOL DU VAMPIRE) runs into a scantily clad mute young woman (Caroline Cartier) who is being pursued by men in tuxedos and bizarre animal masks who kidnap her and take her back to a townhouse that belongs to Pierre's father, industrialist Georges Radamante (Maurice Lemaître) who warns Pierre to mind his own business. Pierre sneaks into the townhouse for one of his father's parties and witnesses a woman playing Russian Roulette shoot herself and the mute young woman drinks her blood. Pierre delves deeper into the mystery and has to fight off his own father's thugs while Georges and his associates squirrel the young woman off to an isolated country house. Pierre then meets the Grandmaster (Michel Delahaye) of a large group of bizarre looking and acting hippies - of whom the young woman is one of their number - who lay siege to the country house with his help to rescue the girl who it turns out has an unusual connection to Pierre.Rollin's exploitation films could be seen as the link between the "traditional" French New Wave and the works of the more experimental Alain Robbe-Grillet (whose LA BELLE CAPTIVE quotes images from the later half of this film) with its surrealist-on-the-cheap touches and decadent Russian Roulette-playing upper class versus communal vampire hippies plot. Not as explicitly erotic as Rollin's later films - like LA VIOL DU VAMPIRE, LA VAMPIRE NUE still uses nudity as a teasing element - this is still quintessential Jean Rollin in its triumph of imagination over budgetary limitations.

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故事以横跨黑白两道的洪泰集团为背景，讲述了神秘杀手陈安（张家辉饰）在集团换选之际闯入，导致集团陷入混乱。麦朗汶（阮经天饰）和马文康（王大陆饰）也在等待着他，一场生猛的生死较量即将开始。

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不堪回首的往事，由人类文明崩坏而生的幻灭，使前空战英雄波哥·罗索自我放逐到亚得里亚海，干起了镖局的营生，最极端的是，竟然自我施咒地变成了一张猪脸！在碧海云天之间，波哥·罗索与一群啸聚江湖的脏兮兮的小气猥琐的空贼“瞒妈忧多”队（MammaAiuto，意大利文里“妈妈救我”的意思，宫老真幽默，对意大利男人的把握可谓入木）玩着猫捉老鼠的游戏。与波哥一样，他们或许也是一群梦想破灭的倒霉蛋，同样沦落天涯，彼此同病相怜，既相对立又相依存，并共同遵守着不成文的游戏规则和默契：盗亦有道，穷寇莫追。波哥躺在隐秘的小岛的沙滩椅上，听着音乐，呷着美酒，恹恹欲睡。他的座驾“汗血宝驹”——一架血红的飞行艇则静静地飘浮在不远处，等着下一波的出击。这就是波哥·罗索，这只特立独行的“猪”的典型的悠闲而无所事事的亚得里亚海生活。就象自宫是对雄性气质的彻底摒弃，“猪”的自我施咒也是对人类属性的全面否定。“这是你们人类的事”，当银行职员向他推销国家债券时他冷冷地答道。潘多拉的魔盒一旦打开，就再也难以合上。城市被

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影片通过一个女人的故事，讲述了人类对生命的认知和对生命的感悟，具有很强的感染力。

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影片将谋杀案、家庭悲剧和社会现实等多种元素融合在一起，展现了人性的复杂和社会的无奈。