The film was one of a series that attempted for the first time to capture the unique and high romantic Western novels of Germany's greatest adventure writer Karl May. Now, more than 30 years later, and with a video copy of the film in my library to look at when in the mood, I find this version of Karl May's novel rather quaint and clumsy in terms of script/screenplay and certainly out of step with the more popularised versions of the Wild West.However, May's portrayal of late 19th century America was always a mixture of well researched facts mingled with high romantic fantasy adventure in the "Knights of the Round Table" or "Star Wars" vein. In this regard, the film does capture the spirit of Karl May's novels pretty well, if rather geared towards an assumed prior knowledge by the audience of the characters and of May's novels. From today's sophisticated movie audience's perspective this film version of "Winnetou I" is still noteworthy for its magnificent soundtrack rivaling any John Williams score, and for the noble portrayal of the hero by French actor Pierre Brice, who made this role his own in numerous sequels and stage shows.

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如果你的预期很高那会失望如果你预期很低会有一点点小惊喜有些子笑点没太get到，感觉更像是个励志温情片，结局还是感人的。去看的路演，互动的时候，主创的真诚是肉眼可见的。但是作品本身的一些节奏还是有点慢，前面有一段确实很难看下去，但是从开始打篮球的part节奏有一点点在变好。作品的内容也是有实际意义的，确实会让人更加了解并且关注这个特殊的群体。希望后续的喜剧片可以多打磨下喜剧部分吧，很难看到就真的是很搞笑的片子了。仅代表个人观点

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不喜欢这个剧。这像是一部变相征婚剧。剧里所表现的研究生女主甘愿做保洁，大龄it男为爱可当家庭主夫，有点荒唐。过于传扬男女平等，女可做家庭主妇、男可当家庭主夫的理想，反而用力过猛。美梦畅想一番，回到现实，仍然无力改变。好像一出哭着笑的喜剧。索然无味。太过理想化不如实际一点，找一个彼此契合的对象，把握好平衡。在日本，大多数白领工作对于已婚妇女很不友好。家庭主妇太常见，一般经济过得去的家庭，女性都不会选择出去兼职。日本的女性让我有一种被驯化的感觉。就像女主那样读完了研究生

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陈思诚被称为“产品经理式导演”，这略带调侃的名号背后，其实也不免带着羡慕与肯定。其实，大鹏也算是“产品经理式导演”，同时，因为他还一直担当主演，所以，他也可以同时兼任“产品经理式演员”。《消失的她》《三大队》让陈思诚都赌对了时代情绪，于是票房大卖。大鹏呢？《保你平安》《年会不能停》也赌对了。导也好，演也好，都是要分析、判断、选择，然后才能制造产品的。《年会不能停》现在豆瓣评分，票房亿（月日），口碑和票房都相当不错，尤其是口碑，近年来能达到分的喜剧片可太少了，

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这是一部充满亲情和情感的电影，通过讲述柳氏家族的故事，展现了父子之间的矛盾和误解。影片通过精湛的演技和细腻的情感表达，让观众感受到了家庭的温暖和亲情的珍贵。